TY - JOUR
T1 - Men talking, writing and imaging violence/violation offline/online
T2 - (Dis)continuities Offline and Online
AU - Hearn, Jeff
AU - Hall, Matthew
AU - Lewis, Ruth
PY - 2023/10
Y1 - 2023/10
N2 - How to represent violence—that is, talk about, write about, and image violence—without reproducing violence/violation is a challenge. Violence can be presented, re-presented, and represented in many ways, and through diverse narratives. In this article we analyze the narratives of those using violence, either when subsequently talking about the violence or in doing violation itself. Thus, we write on violence and violation, and we explore how men’s violence and violation are talked of, written, and imaged by men, even while they may well not be aware that they are enacting violence/violation. We attend to some of the continuities and discontinuities in men’s narratives between those talking about their use of immediate, direct physical violence/violation, especially against women, and those doing various forms of digital violence/violation through writing violence/violation. In the latter case, two examples are foregrounded: first, what is popularly known as “revenge pornography,” that is, nonconsensual sharing and distribution of sexual images and texts; and second, “upskirting,” that is, nonconsensual taking of photographs and videos of (usually) women’s bodies and clothing. We draw on or analyze these practices through understandings of men, masculinities, and variable masculinist narratives. The final part of the article compares the three examples and considers their implications, the overlaps and blurrings between offline physical violence and digital violence/violation, and future challenges.
AB - How to represent violence—that is, talk about, write about, and image violence—without reproducing violence/violation is a challenge. Violence can be presented, re-presented, and represented in many ways, and through diverse narratives. In this article we analyze the narratives of those using violence, either when subsequently talking about the violence or in doing violation itself. Thus, we write on violence and violation, and we explore how men’s violence and violation are talked of, written, and imaged by men, even while they may well not be aware that they are enacting violence/violation. We attend to some of the continuities and discontinuities in men’s narratives between those talking about their use of immediate, direct physical violence/violation, especially against women, and those doing various forms of digital violence/violation through writing violence/violation. In the latter case, two examples are foregrounded: first, what is popularly known as “revenge pornography,” that is, nonconsensual sharing and distribution of sexual images and texts; and second, “upskirting,” that is, nonconsensual taking of photographs and videos of (usually) women’s bodies and clothing. We draw on or analyze these practices through understandings of men, masculinities, and variable masculinist narratives. The final part of the article compares the three examples and considers their implications, the overlaps and blurrings between offline physical violence and digital violence/violation, and future challenges.
KW - 514,1 Sociology
KW - imaging
KW - writing
KW - talking
KW - violence against women
KW - violation
KW - online
KW - men
UR - https://www.researchgate.net/publication/376272919_Men_Talking_Writing_and_Imaging_ViolenceViolation_OfflineOnline
U2 - 10.1353/stw.2021.a908967
DO - 10.1353/stw.2021.a908967
M3 - Article
SN - 1946-2204
VL - 13
SP - 23
EP - 48
JO - Storyworlds: A Journal of Narrative Studies
JF - Storyworlds: A Journal of Narrative Studies
IS - 1
ER -